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17 pieces by Robin Pickering
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450
Autumn waves, Porthmeor
 
495
Ebb tide, morning, St Ives
 
550
Ebb tide, St Ives harbour
 
395
Echoes of Venice
 
795
Evening storm, S Giorgio Maggiore
 
595
In Steeperton Gorge I
 
595
In Steeperton Gorge II
 
495
Moored boats, St Ives
 
550
Morning mist, Rio S Barnaba
 
495
Porthminster moonlight
 
795
Rialto Storm
 
695
Rio Ognissanti
 
450
Summer waves, Porthmeor I
 
495
Sunrise towards Godrevy
 
695
Sunset on the Grand Canal
 
495
Venetian backwater, red house
 
495
Winter light, St Ives Bay
 
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Robin Pickering Paintings
Robin is a professional painter, living and working in Devon. He has had many successful solo shows and hs works have been purchased for private collections internationally and for public collections in this country
 
Education:
BA Hons in French, Exeter University
 
Awards:
First prize: Thelma Hulbert Gallery Open, 2005
 
Single Exhibitions:
2006 St Ives Bay Studio
Tipton St John
2005 Hyde Park Gallery, Plymouth
Uckfield Civic Centre
Northleach, Glos
2004 Inspires Art Gallery, Oxford
Hyde Park Gallery
Royal Clarence, Exeter
2003 Hyde Park Gallery
2002 University of Exeter
La Lanterne Magique
Hyde Park Gallery
2001 Hyde Park Gallery
2000 Hyde Park Gallery
1999 Hyde Park Gallery
The Rostra Gellery, Bath
1998 The Rostra Gallery
Hyde Park Gallery
1997 The Rostra Gallery
Hyde Park Gallery
1995 University of Exeter
 
Group Exhibitions:
2006 Llewellyn Alexander (Fine Art), London
The Brownston Gallery
Inspires Gallery
2005 Thelma Hulbert Gallery
Llewellyn Alexander
Waytemore Gallery
Inspires Gallery
Red Rag Gallery
2004 South West Academy
Llewellyn Alexander
Marine House at Beer
Inspires Gallery
Red Rag Gallery
Wildwood Gallery
The Lennox Gallery
Bohemia Galleries
2003 Inspires Gallery
Red Rag Gallery
Waterford Gallery
2002 Llewellyn Alexander
Karen Taylor Contemporary Art
2001 Llewellyn Alexander
Art Connection, Eton
1999 The Pastel Society
 
Artist's Statement:
Robin works in both pastels and oils. The pastels are evenly divided between landscapes and seascapes - usually his much-loved Venice and Tuscany or Devon and Cornwall. Often they seem, on first viewing, very accessible and illustrative. They are indeed easy on the eye, but they are more than that. Colour is used in strong planes, and recent pictures of Venice and St Ives tend more and more towards blocks of intense colour, which work as much as abstracts as they do as representational images.The oils, mainly coastal subjects, also concentrate on vivid colour and light, but here the energy comes from the way the paint is applied. Strongly textured, the seascapes swirl and flicker with movement, and the light glimmers from the surface. In both landscapes and seascapes, the sense of location is tangible. The viewer feels the light, the wind, the heat of a specific time and place
 
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