| new art collectors | Melanie Prapopoulos |
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| Melanie Prapopoulos Paintings | |
| " a magical reality where everything clear and true, outside time and space, beyond all physical and palpable reality, a mirror which deforms life, an instant reflected is possible." - Goya | |
| Education: | |
| Bachelors of Arts, New York University, 1998.Masters of Arts, University of Indianapolis, 2002. | |
| Single Exhibitions: | |
| Kaya. Hamburg, New Jersey December 16 24, 2007 Broadway Gallery, New York City, N.Y. December 21, 2007 Jan. 2008. Gallery 24, New York, April 4 April 27, 2007 Gallery 24, Berlin, Germany. November, 2006 Gallery Cafe, Parika, Paros August- September 2005. Thyra Texnis, Psyrri, Athens October 7-21 2005 | |
| Group Exhibitions: | |
| Little Treasures. Galleria De Marchi, Bologna, Italy. May 10 24, 2008. Icosahedron Gallery. Tribeca, NYC. March 4- April 20, 2008. Agora Gallery,-The Odyssey Within. Chelsea, New York. December 14, 2007- Jan. 3, 2008 Miami Scope Miami, Florida. December 2007. Biennale Internazionale DellArte Contemporanea, Florence, Italy. Dec 1- 10, 2007. Contemporary Istanbul Art Fair. Istanbul November 29 Dec. 2, 2007. Art For Progress Group Exhibit NYC Nov. 2007 Spirit. The Spirit in Art Ferrara, Italy, November 2007 Bellearte Lamia, Lamia, Greece November 2007 China International Gallery Exposition Beijing, China. May 2007. World Fine Art Gallery, New York, N.Y. April, 2007. Art- Basel. Miami, Florida. December 2006. 4th International Art Festival, Chania November -2006. Agora Gallery, Chelsea, New York, June 28 July 21, 2006. Works on Paper Flux Factory L.I.C., N.Y. May 2006 | |
| Artist's Statement: | |
| I believe that an artist has something to say or to point out, both to the artist or the viewer and due to my studies in the art history and literature of Latin America and the Caribbean, and my travels, my work is greatly influenced from what I have seen or read. I find that these areas offer a unique artistic language which results in a better vocabulary for expression. This coupled with ideas of dance and movement result in what I feel is an often ignored reality, one grounded in strong lines and the unexplainable giving expression not just for the peoples of these regions, but in a universal sense. This reality enters an emotional plane presenting the viewer an opportunity to witness an often uncomplimentary expression that manages to balance itself. I also believe in the melding and mixing of color with color being that which will ultimately present the viewer an experience of emotional revelation. | |
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